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The first professional sculpture by
Charles Tefft, done when he was seventeen years old, was
this chalk bust of another Brewer resident, General
Joshua L. Chamberlain. Chamberlain took a personal
interest in the young artist, finding other notable
models for him and helping him obtain a scholarship at
the Institute of Artists and Artisans in New York, where
Tefft went after high school. Tefft's interest
in sculpture began when he was very young, and his
parents were exceptionally supportive of his
interest. For three years the family were unable to
use the parlor in their home, because Charles had turned
it into a studio.
The Chamberlain bust is now at the Brewer Public
Library.
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| Around the turn of the century, city
expositions created many opportunities for American
artists. Tefft's exposition commissions included an
allegorical Lake Superior for the 1902
Pan-American Exposition in Buffalo; this plaster figure
representing Iowa at the Louisiana Purchase
Exposition of 1904, also known as the St. Louis World's
Fair; a marble Renaissance Art statue which now
stands over the entrance portico of the St. Louis Museum
of Art; a statue group named Philadelphia Progressive
at the 1926 Sesqui-Centennial Exhibition in Philadelphia;
and a statue of Osceola at the Charleston
Exposition. He was art director for the
Sesqui-Centennial Exhibition. |
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In 1905, Tefft won a competition for his
design for an equestrian group statue and fountain for
the New York Botanical Garden in the Bronx. His
next commission was for a Revolutionary War soldier's
monument in Fort Lee, New Jersey's Monument Park.
This sculpture, which was completed in 1909, depicts two
of General Washington's soldiers scaling the Palisades.
In 1913 Tefft opened his own studio in New York City and,
with friends, organized the New York Evening School
of Industrial Art. He put his career on hold,
though, to serve in the Ninth Coast Artillery during
World War I. |
| After the war, Tefft's career and
reputation grew. In addition to his work on the
Sesqui-Centennial Exposition, he did The Peace
Monument in Belleville, New Jersey and the William
H. Maxwell Memorial for the American Museum of
Natural History in New York. In the 1920's, Tefft
and his wife bought a farm near Sebec Lake and
established a studio there. As the art world turned
increasingly to modernism, Tefft began doing more work
for Maine. |
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Tefft's Luther H. Peirce Memorial,
a gift to the city of Bangor, Maine from the descendants
of lumber baron Luther H. Peirce, was installed on Harlow
Street in 1925. Also known as The Last
Drive, the monument shows three river drivers using
an axe, a cantdog, and a peavey to break up a log jam by
prying out the key log. This most dangerous moment
of a log drive makes for a dramatic, compelling
sculpture. The models included legendary river
driver Pat Connors and a young logger named David Preble. |
| A statue of Hannibal Hamlin stands on the
Kenduskeag Mall in downtown Bangor, Maine. The Mall
is a small park between State Street and Central Streets.
This bronze statue was erected in 1927. Hannibal
Hamlin (1809 - 1891) served as Congressman, Governor of
Maine, United States Senator, and as United States Vice
President during Abraham Lincoln's first term. He
later served as port collector in Boston, as Senator from
1869 to 1881, and as Minister to Spain.
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This statue of Hannibal Hamlin by Tefft
stands in Statuary Hall in the United States Capitol
Building. One of two statues given to Statuary Hall
by the State of Maine, it was given in 1935. It is
a copy of the Hamlin statue in Bangor. |
| Another Tefft sculpture in Bangor is the
Veterans of Foreign Wars Memorial, installed in Norumbega
Parkway in 1939. Lady Victory holds a
torch in one hand and a laurel branch in the other.
Although classical in style, this is one of the earliest
sculptures to be electrically wired. This small
park connecting Central Street and Franklin Street was
also a gift to the city from the estate of Luther H.
Peirce.
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The Spanish-American War Memorial
in Bangor's Davenport Park was designed by Charles
Tefft. The design incorporates the bow shield of
the U.S.S. Maine. The sinking of the
battleship in Havana harbor was the event that touched
off the war in 1898. |
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